Game Review: Band Frontman Jason Williamson Takes On Role in Sceptical Examination at 90s Rave Culture
Helmed by Portishead co-founder the musician-producer, this sharp-edged if slight first film turns a sceptical eye on the ecstasy-fueled club scene. Self-serving pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own family home. Before you can say, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Poacher (vocalist Jason Williamson). Refusing to extricate David, with no time for city dwellers, he is broken Britain personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to free himself from his seatbelt, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for number one – is firmly made. But these brief episodes are too thin to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Still, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Promo-Inspired Sensibility
Just a single key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that dips close to folk horror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a wild organ version of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from November 17.
